Limp Wrist - Want Us Dead E.P

Lengua Armada Records, 2006

About Limp Wrist

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Inservibles - Cultura Pendeja 7''

HBSP-2X Records, 2010

...TRULY ONE OF THE MOST INTERESTING HARDCORE BANDS IN THE WORLD!
-Maximum Rock N' Roll Review

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Melvins - Gluey Porch Treatments [Reissue]

Alchemy Records, 1986

The Melvins are an American rock band that formed sometime in the early 1980's. They usually perform as a trio, but in recent years have performed as a four piece with two drummers. Since 1984, singer and guitarist Buzz Osborne and drummer Dale Crover have been the band's constant members. They are said to be "The Godfathers of Grunge music." The band was named after a supervisor at a Thriftway in Montesano, Washington, where Osborne also worked as a clerk. "Melvin" was despised by other employees, and the band's members felt it to be an appropriately ridiculous name.

They are highly regarded as a huge influence upon the sludge and drone genres. The band's genre fluctuates from release to release, playing grunge, stoner rock, drone rock, hardcore influenced rock, or experimental pieces.

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Inservibles

Nene Records / Cintas Pepe, 2008

Myspace / Nene Records

Inservibles demo tape
Mexico City hardcore-punks. Dubbed onto some Spanish brand tape that looks like it was manufactured in the Seventies. Exposed cock on artwork. So far so good. Quite blazing, I wish the tape sounded a little better so I could get more of a handle on it, but it's pretty brutal regardless of sound quality. Vocals are evil in a metallic way, snotty yet also satanic sounding. High velocity shit that reaches near grind-levels of speed at times. Drummer sounds pretty awesome, with some death metal style moves too. I've always been intrigued by Mexican metal/hardcore, but have never had the time/resources to pursue it fully, but this tape brings the violence I was expecting. Six speedball songs, sung in Spanish with venom, referencing the darker side of hardcore and faster-louder purism. Repeat listenings reveal a little more "punk" than I first heard, some pretty good guitar moves in-between the blurry shred, but the careening pace keeps me calling it hardcore, not that it's a bad thing either. A good soundtrack to get stabbed in the pit to.

-Terminal Boredom

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